LIFE IN ISRAEL
1995-6
KAREN ALKALAY-GUT
THE HOPE
INTERVIEW
PIECES—DIZENGOFF CENTER MARCH 4, 1996
THE OLDEST WAR
ALMOST
THE END
TO SHIMON PERES
ON THE LACK OF PRODUCTIVITY OF ISRAELI ARTISTS IN THESE HARD TIMES
THE EQUINOX AND YOM KIPPUR
Jerusalem
BUYING FURNITURE ON HERZL STREET ON THE DAY BIBI COMES BACK TO ISRAEL FROM HIS FIRST ENFORCED MEETING WITH ARAFAT
“DEATH TO FANATICS”
On the night Rabin died I dreamt I wandered the streets
homeless and lonely in a crowd of confusion, ricocheting
off relatives and friends barely regarded, while dogs of peace
ran with panthers and tigers all loose and all free.
No one was working – everyone
out on the streets or in groups
sleeping in different houses, using
interchangeably each others’ phones –
connecting with wrong numbers
saying a few impotent words,
disconnecting indifferently
Unseasonable cold penetrated my clothes,
and uncoated I sought shelter
in cloaks of the dead,
but found myself in other byways
before I could wrap myself in them
The river was solid and the earth
liquid under our feet -- the worst
walked on water while the best
fell in the treacherous sands.
Nothing held the dream together
and everything could fall apart
at any random moment
So two months after the assassination and five years since
the Gulf War and how are you feeling—like the sky
can betray you, and the boy next door can blow up your world
with dum-dums. Fifty years ago you learned
there are places to escape from and places to escape to,
and people to hate and people to embrace as long-lost cousins.
And now it’s clear that was all an old-fashioned dream
of certainty, like hiding under the school desk with your arms
protecting your nape from nuclear attack.
Give me an ideal scenario—what’s the best possible outcome--
I want to but cannot answer straight, “Surely some revelation is at hand...
like maybe when Uziah died and it seemed like
nothing could save us...” And then it comes to me in one of those
simple sentences in the Bible “..and I beheld the Lord seated on his throne”
that it doesn’t take much more to receive a vision than dire need.
Now give me the worst scenario—
and that picture appears
before my eyes
and the doorposts resound
PIECES—DIZENGOFF CENTER MARCH 4, 1996
This witness could not be sure
he was seeing bodies or mannequins
flying in the air, naked, dismembered.
That witness saw the terrorist, standing
for a while, on the corner, carrying parcels,
as if he was coming home from shopping
on the way to provide for his family.
Someone reports that his head, whole,
is still resting under the cash machine.
Surely there are more
important things to set straight
when children are still
missing, when parts of them
are still missing (we do not know
what belongs to whom) and the smell of
burnt blood still fills the air.
Phones—the lines we locals
connect through, like a web
of umbilical cords—the lines
are busy now. How do I know
our own mother was not out
gingerly exercising her new hip,
or our niece had decided not to give
her baby some air? And even
my best friend’s cellular doesn’t respond.
I look past the rubble for faces in the crowds on TV:
each familiar survivor of yet another catastrophe,
reminds me of more who are still missing, unaccounted for.
And though I am miles away
I smell it in the air, the explosion
of peace.
A Lieutenant General
killed himself today
by driving through
the road block
at the Gaza checkpoint.
What a way to go—
demeaned by terminal disease—
to make it seem that an old enemy
betrays you instead
Everyone I know just missed
being blown up at five to four on Monday.
Every one I know just turned
the corner and looked back
when it blew up, or took
a different route that day
and were a few blocks
off. Only a few
were supposed to be elsewhere
but missed the bus, or the light, or their luck,
and wound up all over Dizengoff.
The moment before he blew himself
and Dizengoff up, he paused
in the middle of the street
and I imagine that his mind
filled with endless desire—
Paradise, Dizengoff, the thirst
he must have felt after a long day’s ride
in the bottom of the van, a girl he once saw
and wanted to have, a self-portrait in oil
that showed promise and could have been
so much better, Paradise, Dizengoff
Sunday, June 2, 1996
Loved by half this land
with all its heart, you start
today and wonder that
the other half did not come through.
“I just want to take my bags
and get out of here,” Leah
said, and I thought of you
and how when I saw you once
in your office I thought – the perfect man
in his proper place –
Suddenly I fear you will think
it was all a waste, the dreams
spattered on the pavement
like the blood of your mate,
and that – as well as the bullet –
the assassin cast
the deciding vote
But a dream is not worth less –
that it cannot be redeemed
at this very moment – surely
some things that don’t happen
stay in our hearts as much
as those that do – surely
we must plan that dreams
can, as they have before,
come true.
ON THE LACK OF PRODUCTIVITY OF ISRAELI ARTISTS IN THESE HARD TIMES
I
Early in the evening you said
there are too many poems already in this world
I agreed
and fell silent.
But then you began to sigh
endlessly and we saw
there was a need
for at least one
more
II
In the cafés the new musicians
have left off singing and the old ones
repeat anachronistic irrelevancies
for nostalgia’s sake.
In movie theaters
we watch listlessly whatever
French or American prize committees
tell us suits the world’s need,
while a still small voice
curses our poverty and impotence.
We find no way
to turn that voice
to something
of use to us.
“Leave this land,” says
the latest rock star, tiny and sad,
trying to steer his fans
from agonies of assassinations
and the aftermath
of triumphant self-seekers
filled with passionate intensity.
“I mean it.”
“Ah, you trust them
to take care of it for you?”
“Can you imagine a world
without a homeland?”
“Home is,” said Frost’s cruel farmer,
“when you have to go there
they have to take you in.”
But we sit at home and dream
of somewhere else, forgetting
the wandering of generations.
III
In the cafés the new musicians
have left off singing and the old ones
repeat anachronistic irrelevancies
for nostalgia’s sake.
But we are sitting in a place called
“Local Produce,” drinking melon juice
and eating a cinnamon babka redolent
of loving grandmothers, while easy street cats—
sated from living near breezy people—
wander in and out of the sidewalk tables
unperturbed by our enormous dog.
And the music
grabs me by the heart and teaches
old lessons
“I have
no other country,” the clear
acappella of Corinne Allal
reminds me. “I will not
let it go, will shout
in its ears
until it opens its eyes.”
Then, as if the man who plays the tapes
in “Local Produce” knows the agenda,
the next song is “Mother Earth.”
She will say, you are weary from your travels.
Fear not, I will bind your wounds.
She will clasp to me to her as I call her name,
Mother of the Land.
The indifferent cats of “Local Produce”
wander in and out
among the chairs, the coffee-drinkers
and their dogs.
Strange, but in their steadfast serenity
they convince even their worst enemies
it is best to enjoy the sidewalk as one.
IV
Later in the eveni
we come to an exhibit of junk lighting –
wire sculptures of floor lamps with lightbulbs woven in,
lampshades made from sixty watt cartons –
in an old warehouse filled with improvisation—jazz
like I have been needing to hear since the elections –
free, defiant, persistent, and with no overhead.
This is a day we spend making love,
while prayers from nearby synagogues
drift through the silent air
into our window, the voices changing
as the wind changes, and as the Day
of Atonement proceeds from pleading
to acceptance at the sealing of fates.
“Open for me the gates of righteousness,”
my neighbors chant in unison as I
move a strategic pillow to the middle of the bed,
wishing I could be in two places at once
wishing I could be two people at once
wishing there could be two times simultaneously,
praying at once for immersion and perspective.
My right hand
has its own cunning
remembers those bones
it wants to remember
forgets the stones
it wants to forget
Angry with ourselves and the world
we drive to the neighborhood where you were born
and as I keep up a steady bickering
we park right next to the stores on Herzl Street
where the homemade cupboards are displayed.
“If you will it, it is not a dream,” he said,
as if a whole people could force their will on the world;
and now I demand a piece of furniture that is not
really necessary except to hide things in.
It would be easier if we could throw everything out --
the chances we’ll need old jeans and diaries
are slim at best, and all this junk just slows down
Jews that should get used to wandering again.
“Maybe someday the kids will come home, and need
to reconnect to their past,” I muse.
As always you try to go along with me,
but when it comes to deciding where the shelves will be,
your heart suddenly grows fierce
and you come down hard, as if I’d been the one
who ruined the dream that should have been our inheritance.
There is something great about the normal life –
the even life we try to live in this weird homeland
even while garbage cans explode in the street
and sober bespectacled young men regret
they didn’t manage to kill anyone in their spree.
Put aside the irrelevant in our ideologies
and we are left with that glorious possibility –
being simple and different peoples
living with our olive trees, the desert
that breeds monotheism, the sea.
What of your Zionism, so long
in your blood you would not know
yourself without it? What of that
hunger for a home land born
in the lullabies of Partisans
your mother sang to you?
All the history books, all
the explanations, all the
whole load of sensitive Reasons
do not add up to
the hunger, the certainty
of that hunger, the fact
that I do not move from this place
even when fire
drops from the sky
even when my dreams
blow up like suspicious parcels
left only for a moment
on a normal afternoon
home"><